A drone pilot on a rooftop beside the Thames, with a drone against the evening sky

About Airframe

We started with a drone.
The work grew from there.

Airframe began in 2015 with Liam filming from the air. The camera could go somewhere new; the interesting part was deciding what the shot needed to say. That curiosity drew the work towards people, stories and complete films.

Discover our story See where it led

Beyond the aerial image

Finding the rest of the frame

Drone work taught us to plan carefully, read a location and wait for the right moment. It also made something obvious: the aerial image was rarely the whole film.

The more we filmed, the more interested we became in everything that happened after the drone landed: the conversation, the detail, the sound and the edit that gave the images meaning.

Airframe became a broader production company project by project, because we found that we cared about the whole film rather than any single technique.

Explore our process
Royal Victoria Dock cranes silhouetted against the O2 and Canary Wharf at sunset
Drone photography by LiamAn Airframe aerial over Royal Victoria Dock, looking towards Canary Wharf.

Where paths crossed

One night on Tower Bridge

Three people crossing paths on a job.
The start of working together.

Liam, Javier and Pablo first met while working around the same overnight shoot at Tower Bridge.

Rope-access specialists were cleaning beneath the glass walkways, Airframe was there to document the maintenance work, and the BBC was covering the story.

It was an unusual place to meet: high above the Thames, after dark, with several crews trying to capture the same night from very different angles. What began as three people crossing paths on a job became the start of working together.

The meeting is part of our company recollection. The finished film and subsequent coverage document the maintenance story.

Explore the Tower Bridge film

What Airframe became

Still curious about the whole film

We still fly drones, but we no longer think of Airframe as a drone company. The work now moves between documentary, corporate and live-event filming, with production and post-production shaped around what each story needs.

That change was not a rebrand or a plan written in advance. It happened through the work: meeting collaborators, being trusted with more of the process and discovering the kind of films we wanted to keep making.

The catering team at work in Behind the Pass

Another chapter

Behind the Pass

Four films following the Levy catering operation at ExCeL London. Published by ExCeL London.

Explore the documentary series

A few things have stayed with us.

What we take into the next film.

Prepare for the location.

Understand the access, the constraints and the people before the camera comes out.

Stay close to the subject.

Pay attention to the conversation and the small details that make a story its own.

Shape the whole film.

Think beyond the individual shot, through sound, rhythm and the final edit.

How we work

Need to know

Frequently Asked Questions

About the agency, our base, and the sectors we work in.

The cost depends on the brief, filming days, crew, locations, post-production and number of delivery versions. Airframe Media provides an itemised quote that sets out the agreed production scope before work begins. Use our pricing page to request the current rate card and review the factors that move a project quote.

Tell us what you are trying to make.

Who is it for? What is happening, and what do you want the film to change? That is a useful place to start.

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