Music videos
A music video gives a track a face, so the first conversation is about what the song means to you and what you want people to feel when they watch. From that we develop a treatment, which sets out the look, the locations, the performance and any story. Filming is usually planned around playback of the track so that movement and lip-sync line up.
The quote depends on the length of the track, the number of locations and shoot days, the crew and cameras, the performers and any dancers or actors, styling and make-up, and the amount of editing, grading and effects. Send us the track, your references and a note of your release plans, and we will suggest how ambitious the film can be within your schedule and resources.
Artist promo and EPK
An artist promo or electronic press kit introduces you to people who decide whether to book, playlist or write about you, so it has to be clear and quick to watch. A typical piece combines performance, a short interview and a few moments that show your personality. We plan the film around your story and the audience, whether that is a booking agent, a label or a festival programmer.
The quote depends on the length of the film, the shoot days, the locations, the crew, how much performance is recorded live, the interview time and the number of versions. Tell us who needs to see it first and what you want them to remember, and we will build a shoot that captures that in a form they can use straight away.
Live session recordings
A live session records a performance as it happens, so sound is as important as picture. We plan the room, the camera positions and how audio is captured before the artists arrive, and agree whether the sound comes from a separate recording or from the room itself. Multi-camera coverage lets the edit move between angles without stopping the music.
The quote depends on the number of performers and songs, the length of the session, the number of cameras, the crew, the venue or studio, the audio arrangements and the finishing work on picture and sound. Tell us the line-up, the space and how you want the session to feel, and we will propose a layout that lets the performance run naturally while we capture every part of it.
Lyric videos and visualisers
A lyric video or visualiser keeps a release moving between bigger projects, and it can be made quickly because it relies on design and edit more than on filming. Words appear in time with the track, either as simple typography or in a style built around the artwork. A visualiser lets the music play over motion graphics, footage or both.
The quote depends on the length of the track, the amount of text, the complexity of the animation, whether new filming is involved, the number of review rounds and the formats for each platform. Send us the track, the lyrics, your artwork and any references, and we will recommend a look that fits the song and your release timetable, then deliver in the shapes your platforms need.
Dance videos
Dance depends on seeing the whole body move, so we think about frame size, camera movement and lighting before we think about locations. A short piece may be filmed in one continuous take, while a longer one may be cut across several angles. It helps to walk the shots through with the dancers beforehand, so the camera and the choreography work together. Floor surfaces, space and safe working conditions matter as much as the look.
The quote depends on the number of dancers, the length of the routine, the locations, the crew and cameras, any moving camera work, the music arrangements and the edit and grade. Tell us the choreography, the track and the space available, and we will plan the filming around what the movement needs to look its best.
Short films
A short film is a complete story in a small space, so the script and the plan carry most of the weight. We work from your screenplay or help shape one, then break it down into scenes, locations, cast and equipment. Rehearsal and preparation save time on the shoot days, when every hour counts. Sound and grade finish the work.
The quote depends on the length of the script, the number of scenes and locations, the cast and crew, the shoot days, the lighting and camera requirements, the music and sound design and the edit. If you are aiming for festivals or a showcase, tell us the deadline and the length they allow, and we will plan a production that fits both your ambition and your budget.
Documentaries
A documentary follows real people and real events, so the work starts with trust and access. We agree the subject, who will be filmed and what may be shown, then spend time with contributors before filming begins. Our documentary work includes a series about a London venue and a film about the maintenance of a London landmark. The shoot is often observational, with a small crew that people can forget about.
The quote depends on the length and number of films, the shoot days, the crew, the locations, the interviews, archive material, music and the amount of editing. Tell us the story, who is involved and how long you think it needs, and we will suggest a structure and a schedule that gives the subject room to unfold.
Showreels for actors and presenters
A showreel is read by casting directors and producers who may only watch the first moments, so it has to show your range and your best work quickly. If you already have footage, we can edit it into a reel. If you need new material, we can film short scenes or presenter pieces designed to show what you can do. We agree the length, the order of clips and how your name and contact details appear.
The quote depends on how much new filming is needed, the crew, the locations, the number of scenes or pieces, the edit length and the versions for different platforms. Send us what you have and what roles you are going for, and we will suggest what to keep, what to replace and what to film.
Influencer and creator content
Creators are judged by how consistent and personal their content feels, so production should support your voice rather than smother it. We can film a batch of videos in one session, set up a look you can repeat and edit them to suit your channels. For brand partnerships, we plan the shoot around the brief you have agreed.
The quote depends on the number of videos, the filming days, the crew, the locations, the sets or props, the amount of editing and graphics, and the formats for each platform. Tell us your channels, your usual style and how often you publish, and we will plan a shoot that produces a run of finished content without changing what your audience already likes about your work.
Artist and author interviews
An interview with an artist or author works when the person feels at ease and has room to think. We choose a setting that suits them, such as a studio, a gallery, a bookshop or their own home, and set up quietly so the conversation can run. Questions are agreed in advance, and a good interviewer follows interesting turns rather than sticking rigidly to the list. B-roll of the work, the place or the process adds context.
The quote depends on the number of people, the length of the conversation, the locations, the crew and cameras, any filming of the work itself and the edit versions. Tell us who you want to speak to and where the finished piece will appear, and we will plan the setting, the questions and the schedule.
Comedy sketches and web series
Comedy lives on timing, so sound and performance come before fancy cameras. We help plan scripts into shootable scenes, choose locations that suit the jokes and keep set-ups simple so the cast can repeat takes with energy. A web series needs a repeatable format, because the same look, locations and crew can serve several episodes shot in a block.
The quote depends on the number and length of episodes, the cast, the locations, the crew, the shoot days, the amount of editing and the sound and music. Tell us your scripts, your cast and where you plan to publish, and we will suggest how to film as many episodes as possible in each session without losing the rhythm that makes the comedy work.
