Dialogue Editing
The dialogue cleanup and balancing stages listed in the quote
Sonic Excellence
Audio design decides what the film needs to hear: dialogue, ambience, effects and music shaped around the cut. Mixing then balances those elements for the agreed destination. The quote defines which stages and contributors are included.
Production record
500+ productions
Operating since 2015

We assess the source material, intended channels, required deliverables and review stages before recommending an audio workflow. The quote records which stages are included and the agreed delivery schedule.
Audio design can bring dialogue, effects, ambience and music together around the intended audience and use. It can be commissioned alongside [post-production](/services/post-production/) or as part of a wider [video production](/services/video-production/) project.
Source audio varies from project to project. We review a sample before confirming what can be improved, what may need replacement recording and which deliverables are practical.
Music, foley and specialist recording requirements are assessed against the brief. Any licensing, external facilities or additional contributors are identified in the quote before work begins.
UK broadcasters and platforms can require different loudness and delivery specifications. We confirm the destination before mixing, then scope dialogue cleanup, sound design, music, stereo or surround delivery and any required stems around that handoff.
The exact people, equipment and finishing work follow the brief. These are the responsibilities Airframe can coordinate as one team.
The dialogue cleanup and balancing stages listed in the quote
The agreed sound effects, foley and ambience work for the brief
Music sourcing or composition requirements confirmed for the project
Channel layout and mixing requirements agreed for the destination
Mastering requirements based on the confirmed delivery specification
Voiceover, narration or replacement recording where included in scope
A clear sequence keeps creative decisions, logistics and review stages connected from the first conversation onward.
We review your production audio and identify what needs to be cleaned up, enhanced, or replaced.
We complete the dialogue editing and cleanup stages agreed after the source assessment.
We add the sound effects, foley and ambience identified in the agreed creative scope.
We mix and master the agreed elements to the confirmed delivery specification.
Audio mixing balances dialogue, music and effects within the chosen delivery format. Audio design identifies and creates the sound elements that support the film. The quote defines which disciplines, contributors and review stages are included for the project.
Music sourcing and licensing can be included when required by the brief. The quote records the proposed music route, licensing scope, deliverables and cost before a track is selected.
Heavy clipping, wind and very low recording levels can limit cleanup and may make replacement recording the better option. Send us a representative sample of the source audio. We will assess the material before confirming what cleanup is practical, whether replacement recording should be considered and which work belongs in the quote.
Broadcast and platform requirements vary. We review the destination specification, then list the included mixes, stems, file formats, mastering requirements and any quality-control handoff in the quote.
Send us a sample of the source audio and we will assess it before quoting. The review determines whether cleanup is practical or whether replacement recording should be considered.
Custom composition can be scoped when the brief requires it. The quote confirms the music approach, contributors, licensing, deliverables, review stages and cost before work begins.
Stereo uses two audio channels, while 5.1 uses six. The appropriate layout depends on the intended platform, venue and delivery specification, and is confirmed in the quote.
We review the destination specification before confirming the audio scope. The quote records the included channel layout, mastering requirements, delivery files and any quality-control handoff.
The schedule depends on the runtime, source quality, track count, sound design, music, review stages and delivery requirements. We assess those inputs and record the agreed delivery date in the quote.
The required channel layout depends on the intended platform, venue and delivery specification. We confirm the appropriate mix format and its cost after reviewing those requirements.
Dialogue editing cleans the recorded material, including breaths, mouth-clicks, room tone and hum. Sound design adds elements such as foley, atmosphere, music and transitions. The quote identifies which stages the film requires.
We review the source audio before confirming whether cleanup or replacement recording is appropriate. The quote records the agreed work after that assessment.
Music can be scoped through licensing or custom composition, depending on the brief. The quote confirms the proposed route, usage, licensing terms, contributors and cost before music work begins.
Let's discuss how our audio design services can help bring your vision to life.